Skip to main content

CLOSED TODAY

Greco-Roman: Visions of Antiquity in 19th-Century Photography

1999.45.1 Sommer - Aci Castello Scogil de' Ciclopi crop

Giorgio Sommer, Aci Castello, Scogli dei Ciclopi [Aci Castello, Rocks of the Cyclops], circa 1880s. Albumen silver print. SBMA, Museum purchase with funds provided by Friends of Photographic Art.

2004.42.57 Sommer - Siracusa, Museo Giove wide

Giorgio Sommer, Siracusa, Museo Giove [Bust of Jupiter in a Museum in Syracuse, Sicily], circa 1880s. Albumen silver print. SBMA, Gift of Margaret W. Weston.

1992.6.1-Baldus vw01 (1)

Édouard Baldus, Pont du Gard (detail), ca. 1861. Albumen print. SBMA, Gift of Mr. and Mrs. Kingman Douglass.

1999.45.1 Sommer - Aci Castello Scogil de' Ciclopi crop
2004.42.57 Sommer - Siracusa, Museo Giove wide
1992.6.1-Baldus vw01 (1)

Soon after the announcement of the invention of photography in 1839 in Paris and London, artists, scientists, and entrepreneurs seized on the new medium’s astonishing ability to register the world in greater detail and sweep than ever had been possible in traditional paintings, drawings, and prints. A major subject throughout 19th-century European photography was the Greco-Roman past—its historical monuments and sites as well as evidence of its influence on the visual culture of the day.

This exhibition features the work of 19th-century photographers who sought to capture Europe’s Greco-Roman legacy, both in the countries of its origin and in modern monuments that adapted the visual style and aura of antiquity for reasons of political power and aesthetic legitimacy. Together with three antiquities from the Santa Barbara Museum of Art’s renowned collection, the photographs in this exhibition demonstrate the powerful persistence of Greco-Roman art and culture in the European visual imagination for well over two millennia.