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OPEN TODAY
11 am – 5 pm

Stage Craft: Pictorialist Photography and Performance

black and white photo featuring a silhouette of a figure, presumably a woman, with their arms raised slightly standing outdoors

Anne W. Brigman, The Breeze, ca. 1910. Gelatin silver print. SBMA, Museum purchase with funds provided by the SBMA Women's Board.

monochrome photo of three girls in dresses dancing along to a woman at a piano and a little boy with a string instrument looking on

Rudolf Eickemeyer Jr., The Dance, 1901. Photogravure. SBMA, Museum purchase with funds provided by Michael G. Wilson and the Dana and Albert R. Broccoli Charitable Trust.

black and white photo featuring a silhouette of a figure, presumably a woman, with their arms raised slightly standing outdoors
monochrome photo of three girls in dresses dancing along to a woman at a piano and a little boy with a string instrument looking on

In the early 20th century, the Pictorialists challenged the idea that a photograph's primary function was documentary; their goal was to elevate photography as a unique art form. To achieve this aim, they often created sets and employed human models to compose scenes, as if staging a play. This produced collaborative relationships with dancers, actors, and filmmakers. When Pictorialists left their studios, nature and the city became other sites for dramas. They used innovative printing and editing techniques such as soft focus and shadow to evoke the pastoral, the poetic, and later, the abstract. This exhibition shows how Pictorialist photographers combined historical art and modern modes of dance, acting, stagecraft, storytelling, and even early cinematography.