Skip to main content

OPEN TODAY
11 am – 5 pm

Mario Giacomelli: La Gente, La Terra

high contrast black and white image of fields

Mario Giacomelli, Storie di terra from the portfolio "Paesaggio," 1955, printed 1981. Gelatin silver print. SBMA, Gift of Carol Vernon and Robert Turbin in Memory of Marjorie and Leonard Vernon, 2025.10.1.

black and white image of rows of brick houses with sunlight filtering through dust behind them

Mario Giacomelli, Scanno, no. 230 from the portfolio "Paesaggio," 1957–59, printed 1981. Gelatin silver print. SBMA, Gift of Carol Vernon and Robert Turbin in Memory of Marjorie and Leonard Vernon, 2025.10.12.

high contrast black and white image of priests

Mario Giacomelli, lo non ho mani che mi accarezzino il volto (I have no hands that caress my face) from the series Pretini from the portfolio "La Gente," 1961–1963, printed 1981. Gelatin silver print. SBMA, Gift of Arthur and Yolanda Steinman, 1983.69.57.7.

black and white photo of a street scene with black clad figures passing in the foreground framing a child walking towards the camera

Mario Giacomelli, Scanno: Italy of the South from the portfolio "La Gente,” 1957–1959, printed 1981. Gelatin silver print. SBMA, Gift of Arthur and Yolanda Steinman, 1983.69.57.14.

high contrast black and white image of fields
black and white image of rows of brick houses with sunlight filtering through dust behind them
high contrast black and white image of priests
black and white photo of a street scene with black clad figures passing in the foreground framing a child walking towards the camera

Mario Giacomelli (1925–2000) was one of the most important artists of post-World War II Italy. He came from a working-class background and dropped out of school at age 13, first working in typesetting, then briefly serving in the Italian army. In 1950, Giacomelli established a printshop in his hometown of Senigallia, a small port town in Italy's Marche region. He bought his first camera three years later and began teaching himself the ins and outs of the darkroom.

Photography was a lifelong experiment for Giacomelli. Through innovative development techniques, he depicted both people and the landscape with sharp black and white contrast and psychological intensity. The anxieties, travails, and hopes of post-war Europe swirl around his subjects. The hills and vineyards of Southern Italy become akin to Abstract Expressionist canvases. All together, the resulting images provide a poetic portrait of the changing Italian countryside during the years of il miracolo economico italiano after WWII. Mario Giacomelli: La Gente, La Terra features 36 photographs printed from negatives taken in between 1955 and 1980, forming two comprehensive portfolios: La Gente (The People) and Paessagio (Landscape). All of the photographs in this exhibition are drawn from SBMA's collection. The portfolio Paessagio is a recent gift from Carol Vernon and Robert Turbin.


This exhibition is part of Giacomelli 100, an international celebration of Mario Giacomelli’s centennial.

Image
black and white logo featuring a large black 100 framing the artist name Giacomelli and the years 1925-2025 below the 1